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K-2SO: The Droid – Explore the development of this reprogrammed Imperial droid, from initial pitch and character design through Alan Tudyk’s performance.Cassian: The Spy – Diego Luna shares insights into his complex, driven character, who becomes a hero through selflessness, perseverance and passion.Jyn: The Rebel – Get to know Rogue One’s defiant, resourceful survivor, and hear what it was like for Felicity Jones to bring her to life onscreen.A Rogue Idea – Hear how ILM’s John Knoll came up with the movie’s concept – and why it’s the right film to launch the Star Wars stand-alone films.The home video release includes n ever-before-seen Rogue One bonus material that aims to take fans behind the scenes with the cast and filmmakers and includes an intimate collection of stories reveals how the film came to life, as well as hidden Easter Eggs and film facts that audiences may have missed in the theater.

This confirms this week's reports that the Rogue One Blu-ray would hit shelves just in time for Star Wars Celebration 2017 in mid-April. and next month it comes to home video.ĭisney and Lucasfilm officially announced today that Rogue One: A Star Wars Story will be available early on Digital HD and Disney Movies Anywhere on March 24, and on Blu-ray™ Combo Pack, DVD and On-Demand on April 4. The first of these, Rogue One: A Star Wars Story, debuted in December 2016 becoming the seventh highest-grossing film of all time in the U.S.
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Giacchino may write for a full orchestra, but his work for Rogue one was lackluster and doesn't compare to Williams or his own previous stuff.In addition to continuing the Star Wars saga with a new trilogy of episodic installments, Disney and Lucasfilm are fleshing out the lore with standalone anthology films. In the end, it isn't about whether a score is Zimmer-style or traditionally orchestrated, but how well a composer adds music to a scene. Williams gives a specific scene a specific theme, while modern composers don't do that. John Williams approaches action music with a thematic basis, which is why we're able to hum the Asteroid Field, The TIE fighter attack, etc. The effect was almost as bad as this part of Jurassic World. Repeating the same notes over and over again for a minute without any real development or satisfying conclusion was terrible. Reminds me (and a lot of myfriends) like something for the Nazis from Indiana Jones (or an Indiana Jones type film) Krennic's theme is okay, but the fact that they used it instead of the Imperial march/motif in a majority of the scenes took it out for me.
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Plus he records his stuff with "dry sound" without any of the ambiance that create an expansive "wet" sound. I still feel like Giacchinos best stuff is what he's written for animated films.

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